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Interview with Greg Laswell

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So I’ve been taking so long to post this because I was struggling with the introduction. I never know how personal I want to make this, or how professional. I just decided to go with very personal. The reason you’re reading this is because Greg Laswell is the first artist I’ve heard in a while that’s inspired me to the point of actually requesting an interview.

I listened to his Covers EP for a few months before buying and getting hooked on Take A Bow. He has said that Take A Bow, his latest record, was the first album he made during which he wasn’t miserable. His vocals are steady alto with the occasional dips of a deep baritone. The piano and acoustic guitar only complement his voice. The instrumentation is never overshadowing of his vocal ability. As a result of his song structure and style of writing, I think you’ll find that Take A Bow is no less poignant because its writer wasn’t sad.

Below he discusses his music being featured on Grey’s Anatomy, working with Morgan Page, the album he’s making right now and more.

 

Your collaboration with Morgan Page, “Addicted”, recently premiered on Grey’s Anatomy. What is the process for working with an artist like Morgan Page? Did you guys work together in the studio or did he send you the music?

He sent me a few instrumental songs and I lit some candles, laid prostrate and let them wash over me.  Could you imagine if that was my answer? No, he sent me a few tunes he was working on and I picked my favorite, recorded a melody over it and then we went back and forth like that for a little while. Then towards the end, I was in LA for some meetings and stopped by his studio to add a few more vocal layers.

Speaking of Grey’s Anatomy, I’ve heard quite a few of your songs on the show. That’s how I discovered you. Have you ever gotten negative feedback from long-time fans about your songs being placed on the show? As a fan of mostly indie artists, I notice some negative response in regards to anything remotely mainstream.

Of course there are people who discredit songs or artists based on such things, and I’ve even overheard things like, “He’s a Grey’s Anatomy artist,” which is what it is. I don’t blame anyone for it, I mean I do it worse than anyone… I have this innate need to categorize things instantly and then like or dislike them based on where I’ve already placed them. The bottom-line for me is that the people at Grey’s Anatomy have liked my music for years now and keep “showing” it to people, like you do with one of your friends… the whole, hey-listen-to-this! thing.  And I’m simply grateful for it.  Whatever negative feedback that comes along with something like that is usually more about the person giving it than it is about the art.

You’re in the studio now working on a new album. Is there anything you try to do differently with each album in terms of writing, pre-production, and/or recording? Or do you have a set way of doing things that works for you each time?

I have found that I am extremely affected by my surroundings. On the last record, “Take a Bow,” I moved my recording studio to a cabin in Flagstaff, Arizona. For this record I moved it to an old church in Maine for 3 weeks.  I realize that I will notice more than someone else might, but I think you can hear the effects of each setting in the recordings.

Would you say you write more about your personal experiences or about things that happen around you?

I suppose I’ve made a career from talking about my personal experiences exclusively. This new record is a first-time departure from that, so I’m pretty excited about it.

Is there a single moment that stands out in your mind in when you decided to become a musician; to pursue this career?

Yes. It was the summer after I graduated from college. I had started a teacher’s education program and I was sitting in a high school classroom clocking in my observation hours and instantly thought to myself, “Wait, what the f*ck am I doing?  I want to be a musician.”  I quit the program that day.

What were some of your favorite artists growing up? Do they influence the music you make today?

I grew up listening to the Beatles with my mom. I used to love Billy Idol when I was really young, then Guns n’ Roses came out and it was heavy metal from that point on…. then the Pixies and Nirvana. I went through a Tori Amos phase somewhere in there, then backtracked to just plain old american rock – Bruce Springsteen, Tom Petty… now I don’t really listen to that much music (quite honestly). I listen to it when I run, but that’s about it. I much prefer one of my favorite movies playing in the background when I’m busy around the house, or else nothing. I keep waiting to fall back in love with listening to music, but I haven’t yet.

What are some of your favorite current artists? I see your only ‘like’ on Facebook is Holly Miranda, whom of which, I am a huge fan. Any others?

The last record I bought is Lamb of God… obviously nothing like what I do.

One of my favorite songs ever recorded, by anyone, is your cover of “Your Ghost” (originally by Kristin Hersh). Would you ever consider releasing another covers EP?

Thank you! Yeah, I loved doing that record. And I love covering songs…. I’m sure I’ll do another one at some point.

Thank you for the interview! Good luck with the new record! Can’t wait to hear it!

Thanks, Janay. Good questions by the way. x

 

Links:

http://greglaswell.com

http://twitter.com/greglaswell

http://facebook.com/greglaswellmusic

Morgan Page Performs New Collaborations with Tegan & Sara Live in LA

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So, a long time ago Tegan & Sara unveiled a pop version of “Body Work”, one of their collaborations with Morgan Page. Lots of confusing information about MP’s new record started to get around. Some of it came from Morgan himself. He says a remix of “Body Work” is to be released in November but that his record (and “Body Work”, the official single) won’t be out until February, next year.

I posted a little tidbit about Sara performing “Body Work” with Doveman in New York in March and it’s my most-viewed post almost everyday. So I felt it only appropriate to come here and share the live clips of the HUGE Morgan Page show in LA where he performed those new songs with Tegan & Sara and more.

Everyone’s new favorite dance song, “Body Work”:

And the less mentioned, but highly anticipated “Video”:

Atari Teenage Riot Plays Chicago Tonight!

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Atari Teenage Riot brings their controversial material and unconventional, exciting show to Chicago tonight. The band has somehow managed to remain under the radar, at least in the states, for almost twenty years. That’s not to say they’re small by any means. It just means that tonight they’re playing at a modest venue like Reggie’s Rock Club. And us indie fans are more than okay with that!

Before you dive into the less than thrilling string of fall acoustic shows from Folk bands that own Fall, check out the loud, indeed riot-inducing performance from ATR!

Their latest is titled Is This Hyperreal? And you’ll want to play it really loudly.

Last night their show in Detroit was canceled, which means people who were planning on attending that show should be on the road to Chicago right…about…now!

Catching Up with Rococode!

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Oh, hey! It’s been a while I know. But I’m back with that post-Peak Performance Project Boot Camp Rococode Q&A I promised. To say the band has been busy would be putting it lightly. Fresh off their PPP Boot Camp stint in RockRidge and playing backup for Hannah Georges in Toronto, they’re now preparing to play Rifflandia and a handful of residency shows for Habitat For Humanity later this month. And it doesn’t stop there as they’re also gearing up to release their debut Guns, Sex & Glory in early 2012.

Once again Andrew lets me pry into his band’s business. I’m insatiable. What can I say? I regret nothing. Hopefully neither does Andrew!

Three words to describe your time at the Peak Performance Project Boot Camp:

option 1: breakfast, lunch, dinner 
(it was really an anomaly for the boys in our band to eat 3 regularly scheduled meals)
option 2: guns, sex, glory


Your debut album Guns, Sex & Glory is set to drop early next year, correct? Did your time at PPP Boot Camp better prepare you guys for the release? Did the faculty offer ideas or advice on promotion and things like that?

Yes!! The album is (FINALLY) coming out on February 7th.  Oh wait… sounds like that’s a long way off, but to me it’s closer than never…  But, again, yes.  We are actually at the perfect point in our life as a band for all the information to be immediately pertinent.  We had workshops on everything from image/style, to interview techniques, to legal matters, to touring (which we’ve done our fair share of in other bands) to live performance and a whole lot more.  In the music industry’s current state, we have to be able to do everything ourselves.  I never thought I would be spending the majority of my time constructing marketing plans, accounting, and writing emails, but the reality is that we are running a small business and we can’t really hire people to do all the paperwork.  So… another resounding YES.  All the classroom type stuff was incredibly valuable and it’s timing couldn’t be better as we prepare to unleash our Guns, Sex and Glory into the wild. 

Biggest highlight of PPP Boot Camp:

I think for me it was our recording endeavor.  We got to work with Garth Richardson who, among other things, produced the self-titled Rage Against the Machine album… which is mighty bad ass.  We had to start recording around 1 am though… right after playing our set.  So the session wasn’t exactly brimming with exuberance, but I’m really happy about the start we got on our song.  We are really looking forward to sharing the final version with everyone.  (see our video blog called 5 AM BATHROOM DRUMS for a sneak preview)

Will Rococode tour the US to promote Guns, Sex & Glory? I’m not above begging.

Phewf.  Would we EVER love to!!  Touring Canada is always a bit nutty, because the cities are few and far between… and it makes for some long hauls.  The harsh reality for us, at this point, is that there is a lot of expense and red tape involved in getting across the border.  Believe me… it’s on both the “to do” and “must do” lists.  I just can’t make any promises as to when it might happen.

I just saw something else great you guys have put together. Could you talk a little about ‘Rococode Presents: House Concerts for Habitat for Humanity’?

This is another initiative born out of the Peak Performance Project.  One of the 5 challenges they have issued to all the bands is to create some kind of charity event.  We decided to put on some events in association with Habitat for Humanity.  The goal is to create some awareness (and raise some funds) locally, but also encourage friends/fans to get involved in other parts of the world.  That’s why we chose H for H… they work locally… as well as Internationally, so our involvement can have different levels.  

The house concerts are going to be our local awareness campaign.  Everyone deserves a home.  We are playing 3 nights in the 3 places we spend most of our time.  The first is in North Vancouver (where Shaun/Laura/Andrew live), the second is in Vancouver (where we spend the majority of our time) and the third is in Victoria (where Johnny lives and Laura and Shaun grew up.) We have a bunch of close friends playing at these things and hopefully they turn out to be warm and productive ventures.  The first two are softer more acoustic endeavors and the third will be more of a party. 
For details see the Facebook Event for ‘House Concerts for Habitat for Humanity’!

http://rococode.bandcamp.com (to purchase debut EP!)
http://facebook.com/rococode
http://twitter.com/rococode

Rococode Peak Performance Project Boot Camp Diary; Days Four & Five

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My new favorite new band, Rococode, is participating in the Peak Performance Project. Well that’s how all this started, the Peak Performance Project. But then they became one of the top 20 PPP artists and are now participating in an intensive one-week training program at RockRidge Canyon Resort in Princeton, BC. The program is so intensive that it’s not referred to as a program at all and instead ‘boot camp’. Lead singer Andrew Braun, who was nice enough to let me interview him just a few months ago, also agreed to share him and his band’s Boot Camp blog/diary with me as well.

Day Four put the ‘performance’ in Peak Performance Project.

We are a day behind on the blog here… so I will quickly recap the insanity of yesterday.

1.) We played (a “sensitive’) version of our Vancouver 125 song for the Honourable Mr. Jim Pattison. He said, “That’s not too bad.”

2.) we played our showcase. Judges said, “That’s not too bad.”

3.) we tracked with the legendary Garth Richardson until 5:30. We even recorded drums in the bathroom.

Check out the vid:

Day Five the band takes us through a day in the life of Laura while at PPP Boot Camp, in just under a minute in this vlog!

“We got video of Laura at 13 after every hour so you could enjoy a typical day at Peak Bootcamp in about a minute.”

And here’s an added bonus for you, Rococode’s Gastown session in which they performed “Weapon”. Well, you have to click the link cause you know how unawesome embed features are here.

I’ll post a Q&A with the band recapping their experience and about what they have planned for fall.

Rococode’s Weapon/Empire EP is out! Features Peak favorite, “Weapon” and a remix from Ted Gowans. GET IT HERE!

http://facebook/rococode
http://twitter.com/rococode

Interview with The Coppertone

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What’s better than a new artist? A new artist with an old soul.  Canada’s Amanda Zelina, under the moniker The Coppertone, has captured my attention along with the attention of many others with her oddly catchy form of Blues Rock. In these times of mainstream ‘Black Keys singles (off of their sixth record, being hailed as their first, consequently) it’s nice to hear a female take on the resurgent genre.  But I’m sure I don’t need to assure you that Amanda’s material is no less gritty and intricate than that of her Bluesy male peers. In fact, it’s a little darker than what I’ve heard of contemporary blues/rock and a lot heavier than you’d probably expect. You NEED to get to know The Coppertone. I’m here to help!

How are you feeling right now? This is a real question. No one believes me.

I am feeling very inspired and grateful at the moment. I just woke up in Oakland CA… I’m here helping my little sister move into school ( CCA) for the week than I’m back home. Everyone here is so incredibly nice and lovely that waking up early in the morning is a pleasure… Even with a very sore throat from the hotel A/C.

More importantly… how are YOU feeling right now?

You’re hitting the road for a couple weeks next month. What do you love about being on the road?

I  love the feeling of knowing that is exactly where I want to be in that moment. Rarely do I ever feel that way with the exception to tour. There is a feeling of calm when I know that I am playing every night, doing what I love. It’s like this validation that I am following my heart and honey there is no better feeling.  

Do you feel more comfortable on stage, in front of a crowd or in the studio working on music?

I don’t know if comfortable is a word to describe either. Hmmm, that’s a tricky one. I feel comfort in two different ways for each. While performing I am rarely comfortable until the first few songs are over when the nerves disappear and I am left just having fun.  While recording I am always comfortable but that also depends highly on who I am working with and where. I am ultra sensitive to my surroundings. I like finding what works and sticking to it. While that motto works for so long sometimes for freshness sake I like to introduce new faces, new places to push my comfort zone a tad and force myself to adapt. Doing so changes the music and sound a little. I like to be comfortable but not complacent. 

“I Know The Dead” – The Coppertone

Did you grow up listening to Blues?

Yes. My biggest ones would be John Lee Hooker and Junior Kimbrough. Hands down.

I first heard you on Dallas Green’s song “At The Bird’s Foot” and shortly after saw some footage of you guys singing together. I’m a huge fan of his as well. How did you guys end up working together?

We have been friends for a while. Our good friend and producer Dan Achen passed away a little over a year ago. Dal called me up one day to talk about him and through that conversation we re connected with music. I had asked him if he would be involved in a video I was about to shoot as a tribute to Dan ( We covered a Mississippi Fred Mcdowell song called: When I lay my burden down) He said yes promptly and than came back with , ” I have this song I just wrote about the oil spill, I’m wondering if you maybe want to sing it with me?” I than promptly said yes. 

“At The Bird’s Foot” – City and Colour ft Amanda Zelina

In your opinion, is your music dark? If so, do you feel limited thematically by the Blues/Blues-Rock genre?

Yes. For whatever reason my music has always taken a darker route. Even if I write a happy song there is something sombre in it. As for feeling limited thematically by blues/ blues rock… absolutely not. I write from my experience, my life, my dreams… Just because I write in a genre that’s name eludes to sadness does not mean it is limiting. “blues” to me means honesty and soul. You can have just as much honesty and soul in happiness as you can sadness, in celebration as much as in mourning. So long as whatever theme or topic a song comes out being if I play and sing it with as much sincerity and feel as I can than that’s the blues; to me anyway. 

Do you have other artistic outlets aside from music?

I love to dance. I use to take a lot of dance classes as a kid. Now I more so just love to dance whenever I so feel inclined. You can pretty much guarantee if I am out and around music be it live or out of a juke box … I am shaking my hips. It’s involuntary haha. 

I haven’t for a while but I love to paint. 

I love writing….

Do you feel you’ve struggled more as a female musician than your male peers? (I know this question is asked a lot but I also feel this answer is different depending on the genre the artist is pursuing a career in.)

No. In fact due to my “genre”  I feel I have an upper hand being a female. There are not many females (that I am aware of ) who are doing what I am doing, how I am doing it. My main struggle is with myself not with males.  Being a female who is white and wants to play the blues I felt an extreme amount of pressure and fear.  I grew up with it (blues) and respect it beyond comprehension. It is not like I woke up one day and decided it would be “fun” to play the blues, when I started writing songs that’s what came out.

Struck with this conscious predicament  I made a vow to myself that I would not play “blues music” if I could not be one hundred percent sincere with it. If I felt any bit like I was forcing something I would put the guitar down and find a day job. I was not about to be another one of those “technical” “blues” players. In my opinion 90 percent of all contemporary blues players while I was growing up were white guys in khakis playing shitty renditions of ” The thrill is gone” and  Stevie Ray Vaughns ” Pride and Joy” I was not about to attempt a career doing that shit. Fuck no.

 I also wanted to be one of the boys… in other words an equal. I wanted to be respected for my guitar playing and songwriting…not just my voice and sure as hell not my “look”. If sex sells I wanted to sell it through my playing not my pretty. The only uphill battle I have had in the process of achieving that was working tirelessly to satisfy my own criteria of what a “good and respected” guitar player/songwriter is. I will forever be striving towards that.

 I feel like “struggle” has such a negative connotation to it. I don’t think any pursuit of happiness through which you are blessed to follow your passion entails any sort of struggle you aren’t willing to accept with open arms. No goal reached would ever be satisfied  without struggle therefore to me it is a necessity. 

“You’re The One” – The Coppertone

You’ve had a productive year: You released an LP (Hidden Dreams) an EP (Hymns For The Hollow), you’re working on a new EP already and preparing to hit the road next month! What are your goals for next year? I’m not trying to pressure you but a fantastic answer could include, “To tour the states and play in Michigan where Janay can finally see me play live.”

Hahaha well first off and most importantly:  “To tour the states and play in Michigan where Janay can finally see me play live.”

I am planning on taking a trip down south this winter to the delta… deep Mississippi. I want to soak up and visit the roots of the blues I love the most, grew up on and feel an unexplainable connection to. I want that first hand tactile education. I’ve watched countless documentaries, read innumerable books… so this will be a treat.

I am going to write a full length record during that time and hope to work with some of my idols on it. 

I am going to tour the states… (crossing my fingers) play SXSW and a bunch more festivals.

Basically, write, record, travel, and play to as many people who will listen. 

2011-09-15 Toronto The Horseshoe Tavern
2011-09-16 Sault St. Marie Lop Lops
2011-09-17 Thunder Bay Black Pirates Club
2011-09-20 Calgary The Palomino
2011-09-21 Kamloops Pogue Mahone Pub
2011-09-22 Vancouver The Railway Club
2011-09-23 Victoria Metro Theater
2011-09-25 Calgary Republik
2011-09-26 Edmonton The Starlite Room
2011-09-27 Lethbridge Tongue n Groove
2011-09-28 Saskatoon Amigos
2011-09-29 Winnipeg The Lo Pub
2011-10-01 Thunder Bay Black Pirates Pub

http://facebook.com/thecoppertone

http://twitter.com/thecoppertone



Rococode Peak Performance Project Boot Camp Diary; Day Three

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My new favorite new band, Rococode, is participating in the Peak Performance Project. Well that’s how all this started, the Peak Performance Project. But then they became one of the top 20 PPP artists and are now participating in an intensive one-week training program at RockRidge Canyon Resort in Princeton, BC. The program is so intensive that it’s not referred to as a program at all and instead ‘boot camp’. Lead singer Andrew Braun, who was nice enough to let me interview him just a few months ago, also agreed to share him and his band’s Boot Camp blog/diary with me as well.

Day three is pretty vague to Andrew but sounds like it was educational. Also, ice cream was had. Which is all that is needed to make a good day.

It’s been somewhat of a blur on this fine Sunday in Rockridge.

Last night we got scared in the woods so tonight it’s back to safe old print… Perhaps we’ll gather ourselves for another more courageous endeavor tomorrow.

It’s coming back to me in fragments.

Crammed brains full of finer details of getting paid and staying protected.  Pages and pages of info that will sink in as we move along.  mo’ money no problems.

Sang some songs in the sun… Got thistle slivers.

Midday ice cream… successful for some, dangerous for others.

Ate another strange chick pea based dinner concoction.

Fell beneath the spell of the Boom Booms as did everyone within a 18 mile radius.

Now we wait to set up a midnight rehearsal.  Will be nice to plug in and play a little.

Tomorrow’s the big one in the ROCO-camp.  We’ll play our showcase and record our new song with the MIGHTY Garth Richardson.  Can hardly wait for the savage drums that will ensue.

Think I’ll rest my eyes and ears for a moment before we jump back in.

Day three… we hardly knew ye.

 

Andrew (and the Roco-crew)

 

I’ll post a Q&A with the band recapping their experience and about what they have planned for fall.

Rococode’s Weapon/Empire EP is out! Features Peak favorite, “Weapon” and a remix from Ted Gowans. GET IT HERE!

http://facebook/rococode
http://twitter.com/rococode

Rococode Peak Performance Project Boot Camp Diary; Day Two

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My new favorite new band, Rococode, is participating in the Peak Performance Project. Well that’s how all this started, the Peak Performance Project. But then they became one of the top 20 PPP artists and are now participating in an intensive one-week training program at RockRidge Canyon Resort in Princeton, BC. The program is so intensive that it’s not referred to as a program at all and instead ‘boot camp’. Lead singer Andrew Braun, who was nice enough to let me interview him just a few months ago, also agreed to share him and his band’s Boot Camp blog/diary with me as well.

Day two gets creepy with a vlog from the woods of RockRidge from Laura (Smith). Luckily she happens to run into Johnny who apparently, really needs to make a phone call. And don’t even ask what Shaun’s doing…

I’ll post a Q&A with the band recapping their experience and about what they have planned for fall.

Rococode’s Weapon/Empire EP is out! Features Peak favorite, “Weapon” and a remix from Ted Gowans. GET IT HERE!

http://facebook/rococode
http://twitter.com/rococode

Rococode: Peak Performance Project Boot Camp Diary; Day One

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My new favorite new band, Rococode, is participating in the Peak Performance Project. Well that’s how all this started, the Peak Performance Project. But then they became one of the top 20 PPP artists and are now participating in an intensive one-week training program at RockRidge Canyon Resort in Princeton, BC. The program is so intensive that it’s not referred to as a program at all and instead ‘boot camp’.

Lead singer Andrew Braun, who was nice enough to let me interview him just a few months ago, also agreed to share his Boot Camp blog/diary with me as well. In the first post our guys are left disappointed after receiving no reward for their early arrival at RockRidge and engage what seem like heated ‘Bands vs Faculty’ hockey games. Wait, all hockey games are heated (and I do appreciate the irony). The bands also get working on their Vancouver 125 songs. Read on to learn more about that.

Well well well, boot camp.  Here we are.

Most days I tell the band we need to leave earlier than is actually required in order to get us where we need to be on time.

On this day… I overestimated their tardiness and underestimated the length of the drive.  These circumstances, combined with having to make only ONE stop for Laura to pee, led Rococode to be the very first band to arrive at boot camp.

We rolled up to beautiful Rockridge Canyon pumping some classic Rage Against the Machine (in eager anticipation of the opportunity to work with the mighty Garth Richardson) at a cool 11:15 am… nearly an hour before any of our counterparts arrived.  We had fully convinced ourselves that being the first to arrive would undoubtedly result in some kind of award… but we were simply sent to the beach… empty handed.

I killed the time with some Bukowski short stories (perfect beach reading), and before long we were feasting on a light lunch of baked potato and chili.  With a gang of cohorts.

After some opening remarks and formalities, we dug straight into our Vancouver 125 songs. Each band has been challenged to write a new song that “commemorates” the 125 birthday of Vancouver… and they will be recorded later in the week.  Not being much of a celebratory lyricist, ours leans a little toward the dark side… but we are certainly thrilled to dig into recording it.

We feasted on bread, broccoli and bird before the main event of the night: HOCKEY.

The faculty came out of the gate with an obvious chip on their shoulder, clearly trying to avenge their previous two defeats. They jumped out to a serious lead in the first period while The Bands team felt each other out. We really started to gel in the second period and mounted an impressive Purple VROOOOM fueled comeback… despite some questionable officiating and time keeping. The game came down to its dying seconds, when The Band Team scored with mere seconds left to take a one goal lead (our first of the game). This handed the Faculty their third consecutive taste of bitter defeat. Only tomorrow will tell if they choose to take out the shame of their loss on us.

As a band, Rococode posted a plus/minus of 0 for the game. Solid defensive contribution in a high scoring affair.

And now we blog.

Thanks for reading.
Andrew and friends.

I’ll post a Q&A with the band recapping their experience and about what they have planned for fall.

Rococode’s Weapon/Empire EP is out! Features Peak favorite, “Weapon” and a remix from Ted Gowans. GET IT HERE!

http://facebook.com/rococode
http://twitter.com/rococode

Lights Announces US Tour!

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Lights released dates for her first US tour in support of her upcoming record Siberia. It kicks off October 18th and stretches throughout the month into the beginning of November. I’m digging the new singles so far. Give them a listen then buy a ticket to one of these shows!

“Everybody Breaks A Glass” – Lights ft Shad (produced by Holy Fuck)

10/18 Cambridge, MA- Middle East

10/19 New York, NY- Gramercy Theatre

10/21 Philadelphia, PA- TLA

10/22 Baltimore, MD- Sonar

10/24 Pontiac, MI- The Eagle Theater

10/25 Chicago, IL- Bottom Lounge

10/26 Milwaukee, WI- Turner Hall Ballroom

10/28 Minneapolis, MN- Triple Rock

10/29 St. Louis, MO- Cicero’s

10/30 Lawrence, KS- Jackpot Music Hall

11/1 Denver, CO- Marquis Theatre

11/2 Salt Lake City, UT- The Complex

11/4 San Diego, CA – Soma

11/5 Mesa, AZ- Nile Theatre

11/7 Los Angeles, CA- El Rey Theatre

11/8 San Francisco, CA- Great American Music Hall

11/9 Portland, OR- Hawthorne Theatre

11/10 Seattle, WA- El Corazon

“Toes” – Lights

Siberia is set to drop on October 4th.

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